De ‘gansche zichtbare natuer’. Twee kunsttheoretische studies over wat schilderkunst zoal behoorde te zijn
Publication year
2009Author(s)
Source
NRC Handelsblad, 13-2-2009, (2009), pp. 6ISSN
Annotation
Anton W.A. Boschloo The Limits of Artistic Freedom. Criticism of Art in Italy from 1500 to 1800 Leiden:Primavera Pers ,2008 978-90-5997-058-8
Thijs Weststeijn The Visible World. Samuel van Hoogstratens Art Theory and the Legitimation of Painting in the Dutch Golden Age Amsterdam:Amsterdam University Press ,2008 978-90-8964-027-7
Publication type
Book review
Display more detailsDisplay less details
Organization
Kunstgeschiedenis (t/m 2018)
Journal title
NRC Handelsblad
Volume
vol. 13-2-2009
Page start
p. 6
Subject
Christian Cultural Heritage; Christelijk cultureel erfgoedThis item appears in the following Collection(s)
- Academic publications [243908]
- Faculty of Arts [29758]
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