Report on the International Workshop on Models and Representations of Musical Signals, Capri, Italy, 1992

Abstract

In the three day International Workshop on Models and Representations of Musical Signals papers were presented on physical modeling, non-linear dynamic systems for modeling and composition, sound editors using graphical representations, higher level representations of musical signals and their structure, but also papers on pitch/tone recognition and perception, and even the optical reading of scores. The two main issues that emerged from this wide scope of research interests was the problem of control and the choice of the proper representations, each motivated from both musical and perceptual standpoints.