Avampiano e sfondo nell' opera di Cima da Conegliano. La pala d'altare e lo spettatore tra la fine del Quattrocento e l'inizio del Cinquecento
Publication year
1994Author(s)
Source
Venezia Cinquecento, IV, 8, (1994), pp. 93-112ISSN
Publication type
Article / Letter to editor

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Organization
Kunstgeschiedenis (t/m 2018)
Journal title
Venezia Cinquecento
Volume
vol. IV
Issue
iss. 8
Page start
p. 93
Page end
p. 112
Subject
Transmission of Culture and Ideas; Transmissie van Cultuur en IdeeënThis item appears in the following Collection(s)
- Academic publications [234412]
- Faculty of Arts [28942]
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