De naakte waarheid en het schone ideaal: drie karikaturen bij Jean-Léon Gérôme’s Phryné voor de areopaag (1861)
Source
Desipientia. Kunsthistorisch Tijdschrift, 28, 1, (2021), pp. 35-42ISSN
Publication type
Article / Letter to editor
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Organization
Kunstgeschiedenis
Journal title
Desipientia. Kunsthistorisch Tijdschrift
Volume
vol. 28
Issue
iss. 1
Languages used
Dutch (dut)
Page start
p. 35
Page end
p. 42
Subject
COMPAS: Creativity, Object, Materiality, and Practice of Art in Society; Europe in a Changing World; Memory, Materiality and Affect in the Age of TransnationalismThis item appears in the following Collection(s)
- Academic publications [244128]
- Faculty of Arts [29768]
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