Abstract
Departing from the claim that media actively co-construct gender relations in a society, this article focuses on the interwar literary features of the Dutch Catholic radio broadcaster KRO. Similar to all broadcasting organizations in the Dutch Interbellum, the KRO aired these literary features in order to contribute to the cultural elevation of its listeners. Remarkable about the KRO, however, is that it created a division between an official literary feature, which was aired on Sunday afternoons, and a series composed of literary contributions aimed specifically at women, which was broadcast on Tuesday afternoons. Specifically focusing on their repertoires, this article primarily aimed to analyze the differences between these two features. It appears that the books of female writers were underrepresented in the official feature and overrepresented in the women’s feature, which indicates that Dutch radio reflected the hegemonic gender relations in the interwar literary field.
