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Full TextIssue DateTitleAuthor(s)
2012Een knipoog van de cyborgSmelik, A.M.
2012En forestilling om autentisitetSmelik, A.M.
2012Cyborg: van revolutie naar evolutie?Smelik, A.M.
2012Ik, cyborg. De mens-machine in populaire cultuurSmelik, A.M.
2011The Performance of AuthenticitySmelik, A.M.
2011Skin-deep and hair-raising: The meaning of skin and hair colourSmelik, A.M.
2011Fashion and mediaSmelik, A.M.
2011Met huid en haar. De betekenis van huidskleur en haarkleurSmelik, A.M.
2011De esthetiek en erotiek van ouderdom in de beeldcultuur ontrafeldBruggeman, D.S.; Smelik, A.M.
2010The Scientific Imaginary in Visual CultureSmelik, A.M.
2010IntroductionSmelik, A.M.
2010Cinematic Fantasies of Becoming-CyborgSmelik, A.M.
2010Mediating Memories. The Ethics of Post-9/11 SpectatorshipSmelik, A.M.
2010Het tijdperk van de gladjanus: het ideaal van het haarloze lichaamSmelik, A.M.
2010Linda Williams,Screening Sex Durham:Duke University Press ,2008 978-0-8223-4263-2Smelik, A.M.
2009Technologies of Memory in the ArtsPlate, L.; Smelik, A.M.
2009The Virtuality of Time: Memory in Science Fiction FilmsSmelik, A.M.
2009Technologies of Memory: An IntroductionPlate, L.; Smelik, A.M.
2009Los Peligros Del PeloSmelik, A.M.
2009Lara Croft, Kill Bill, and Feminist Film StudiesSmelik, A.M.
2009Introduction: Memory/Counter-memoryPlate, L.; Smelik, A.M.
2009Introduction: Unsettling HistoryPlate, L.; Smelik, A.M.
2009Introduction: Mediating MemoriesPlate, L.; Smelik, A.M.
2009Introduction: Recalling the PastPlate, L.; Smelik, A.M.
2009VoorwoordSmelik, A.M.
2009Wat is echt?Smelik, A.M.
2009Interactivity and Affect in Intermedial Art: Theorizing Introverted and Extraverted IntermedialitySmelik, A.M.; Sluys, J.
2008Feminist Sinema Ve Film Teorisi. Ve Ayna Çatladi (Turkish translation of: And The Mirror Cracked. Feminist Cinema and Film Theory, 1998)Smelik, A.M.
2008Bits of Life: Feminism at the Intersections of Media, Bioscience, and TechnologySmelik, A.M.; Lykke, N.
2008An IntroductionSmelik, A.M.
2008A Tunnel Vision. Inner, outer and virtual space in visual cultureSmelik, A.M.
2008Kaal, kaler, kaalst: het ideaal van het haarloze lichaam (online publication)Smelik, A.M.
2008Het laatste taboe: lichaamshaar (online publication)Smelik, A.M.
2008Bits of Life: An IntroductionSmelik, A.M.; Lykke, N.
2007The virtualisation of the body in sciencefiction filmsSmelik, A.M.
2007Representations of science in visual cultureSmelik, A.M.
2007Intermediality: From sensation to affectSmelik, A.M.
2007Angst en mediaSmelik, A.M.
2007A new taboo on hair: the posthuman bodySmelik, A.M.
2007A close shave: the becoming-machine of the hairless bodySmelik, A.M.
2007The danger of hairSmelik, A.M.
2007Visuele geletterdheidSmelik, A.M.
2007Het gevaar van haarSmelik, A.M.
2007Feminist Film TheorySmelik, A.M.
2007Barbara Creed, Phallic Panic. Film, Horror and the Primal Uncanny Melbourne : Melbourne University Press, 2005 0-522-85172-XSmelik, A.M.
2007Un labyrinthe cyberpunk. La mémoire fragmentée dans l’art digital de Linda DementSmelik, A.M.
2007Kaal, kaler, kaalst: het ideaal van het haarloze lichaamSmelik, A.M.
2007Het intermediale sprookje van de modeshowSmelik, A.M.
2007Lara Croft, Kill Bill en de strijd om theorie in feministische filmwetenschapSmelik, A.M.
2007De effecten van nieuwe media op jongeren van 12 – 14 jaarFrankenhuis, S.; Hagen, S. van der; Smelik, A.M.

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