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| Full Text | Issue Date | Title | Author(s) | | 2012 | Een knipoog van de cyborg | Smelik, A.M. |
| 2012 | En forestilling om autentisitet | Smelik, A.M. |
| 2012 | Cyborg: van revolutie naar evolutie? | Smelik, A.M. |
| 2012 | Ik, cyborg. De mens-machine in populaire cultuur | Smelik, A.M. |
| 2011 | The Performance of Authenticity | Smelik, A.M. |
| 2011 | Skin-deep and hair-raising: The meaning of skin and hair colour | Smelik, A.M. |
| 2011 | Fashion and media | Smelik, A.M. |
| 2011 | Met huid en haar. De betekenis van huidskleur en haarkleur | Smelik, A.M. |
| 2011 | De esthetiek en erotiek van ouderdom in de beeldcultuur ontrafeld | Bruggeman, D.S.; Smelik, A.M. |
| 2010 | The Scientific Imaginary in Visual Culture | Smelik, A.M. |
| 2010 | Introduction | Smelik, A.M. |
| 2010 | Cinematic Fantasies of Becoming-Cyborg | Smelik, A.M. |
| 2010 | Mediating Memories. The Ethics of Post-9/11 Spectatorship | Smelik, A.M. |
| 2010 | Het tijdperk van de gladjanus: het ideaal van het haarloze lichaam | Smelik, A.M. |
| 2010 | Linda Williams,Screening Sex Durham:Duke University Press ,2008 978-0-8223-4263-2 | Smelik, A.M. |
| 2009 | Technologies of Memory in the Arts | Plate, L.; Smelik, A.M. |
| 2009 | The Virtuality of Time: Memory in Science Fiction Films | Smelik, A.M. |
| 2009 | Technologies of Memory: An Introduction | Plate, L.; Smelik, A.M. |
| 2009 | Los Peligros Del Pelo | Smelik, A.M. |
| 2009 | Lara Croft, Kill Bill, and Feminist Film Studies | Smelik, A.M. |
| 2009 | Introduction: Memory/Counter-memory | Plate, L.; Smelik, A.M. |
| 2009 | Introduction: Unsettling History | Plate, L.; Smelik, A.M. |
| 2009 | Introduction: Mediating Memories | Plate, L.; Smelik, A.M. |
| 2009 | Introduction: Recalling the Past | Plate, L.; Smelik, A.M. |
| 2009 | Voorwoord | Smelik, A.M. |
| 2009 | Wat is echt? | Smelik, A.M. |
| 2009 | Interactivity and Affect in Intermedial Art: Theorizing Introverted and Extraverted Intermediality | Smelik, A.M.; Sluys, J. |
| 2008 | Feminist Sinema Ve Film Teorisi. Ve Ayna Çatladi (Turkish translation of: And The Mirror Cracked. Feminist Cinema and Film Theory, 1998) | Smelik, A.M. |
| 2008 | Bits of Life: Feminism at the Intersections of Media, Bioscience, and Technology | Smelik, A.M.; Lykke, N. |
| 2008 | An Introduction | Smelik, A.M. |
| 2008 | A Tunnel Vision. Inner, outer and virtual space in visual culture | Smelik, A.M. |
| 2008 | Kaal, kaler, kaalst: het ideaal van het haarloze lichaam (online publication) | Smelik, A.M. |
| 2008 | Het laatste taboe: lichaamshaar (online publication) | Smelik, A.M. |
| 2008 | Bits of Life: An Introduction | Smelik, A.M.; Lykke, N. |
| 2007 | The virtualisation of the body in sciencefiction films | Smelik, A.M. |
| 2007 | Representations of science in visual culture | Smelik, A.M. |
| 2007 | Intermediality: From sensation to affect | Smelik, A.M. |
| 2007 | Angst en media | Smelik, A.M. |
| 2007 | A new taboo on hair: the posthuman body | Smelik, A.M. |
| 2007 | A close shave: the becoming-machine of the hairless body | Smelik, A.M. |
| 2007 | The danger of hair | Smelik, A.M. |
| 2007 | Visuele geletterdheid | Smelik, A.M. |
| 2007 | Het gevaar van haar | Smelik, A.M. |
| 2007 | Feminist Film Theory | Smelik, A.M. |
| 2007 | Barbara Creed, Phallic Panic. Film, Horror and the Primal Uncanny Melbourne : Melbourne University Press, 2005 0-522-85172-X | Smelik, A.M. |
| 2007 | Un labyrinthe cyberpunk. La mémoire fragmentée dans l’art digital de Linda Dement | Smelik, A.M. |
| 2007 | Kaal, kaler, kaalst: het ideaal van het haarloze lichaam | Smelik, A.M. |
| 2007 | Het intermediale sprookje van de modeshow | Smelik, A.M. |
| 2007 | Lara Croft, Kill Bill en de strijd om theorie in feministische filmwetenschap | Smelik, A.M. |
| 2007 | De effecten van nieuwe media op jongeren van 12 – 14 jaar | Frankenhuis, S.; Hagen, S. van der; Smelik, A.M. |
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